Bibliografia

Billy Bauer
In: Jazz Hot, 283 (maggio), (1972)

[Intervista a Warne Marsh] / Laurent Goddet
In: Jazz Hot, 325 (marzo), (1976)

Vom Underground in den Vordergrund : Carla Bley / Gunter Buhles.
ABSTRACT: A discussion of modern jazz from the 1940s to the mid 1970s, (...) The work of Charlie Parker, Lennie Tristano,Lee Konitz, Carla Bley, and Anthony Braxton is studied. The sociological and psychological background of modern jazz is also considered.
Also published in HiFi-Stereophonie XVI/2 (1977) 138-48.
In: Jazz-podium, Vol. XXV/12, XXVI/1, 2, (1976-1977), p.12-14; 11-14; 14-16 ; ill., por., music examples, discography.
[Carla Bley Discography <http://www2.pcom.net/rminer/CarlaBley.html>]

Jazz: Ten levels / Whitney Balliett
ABSTRACT: Discusses the relationship of jazz saxophonist Lee Konitz to the bop movement, with special reference to Charlie Parker and Lennie Tristano and their influence upon Konitz.
In: The New Yorker, 16 August 1982, (1982), p. 76-83

Lenny Popkin: ma Tristano story / [intervista di] François Billard.
In: Jazz Magazine, 313 (dic), (1982)

Warne Marsh: retrospection and digression / [intervista di] François Billard
In: Jazz Magazine, 318 (maggio), (1983)

Blindfold test / Leonard Feather.
ABSTRACT: Saxophonist Dave Liebman takes his first "Blindfold Test" in almost ten years. Born in Brooklyn, Liebman performed with Charles Lloyd and Lennie Tristano in the 1960s.
In: Down Beat, v. 52 (June), (1985), p. 53 il por.

Flex appeal / David Fricke
ABSTRACT: Saxophonist Tim Cappello (...) now thirty, studied cello as a child, played drums and keyboards after quitting school at fifteen, and later studied sax with Lennie Tristano.
In: Rolling Stone, Dec. 5 1985, (1985), p. 22 ill., por.

Sheila Jordan / Michael Bourne.
ABSTRACT: Raised in the coal-mining district in Pennsylvania, Jordan moved with her family to Detroit, where she first heard Charlie Parker, who became her musical inspiration. Jordan married Duke Jordan, Parker's pianist, and moved to New York in the 1950s, where she studied with Lennie Tristano.
In: Down Beat, v. 52 (Oct.), (1985), p. 15 ill. por.

A true improviser : jazz saxophonist W. Marsh / Whitney Balliett.
ABSTRACT: Through tenor saxophonist Warne Marsh, jazz improvisation is entering a new age. Warne Marsh's brand of improvisation draws on all previous forms, encompassing the serpentine melodies of bebop and the formlessness of free jazz and yet containing a logic of phrasing and ideas that is intensely moving. His instrument becomes the mere vessel for his expansive sound. During the forties, fifties, and sixties he worked within the Lennie Tristano school.
In: The New Yorker, v. 61 (Oct. 14), (1985), p. 109-17

Poetry in Motian / Howard Mandel.
ABSTRACT: Drummer Paul Motian has always been in the forefront of jazz. He started his career in the late 1940s by playing with bands in Providence, Rhode Island, the city in which he was raised. After a stint in a navyband, Motian settled in New York and was soon working with Tony Scott, Lennie Tristano, and other well-known jazz musicians.
In: Down Beat, v. 53 (May), (1986), p. 23-5 ill., pors.

Liz Story / Dave Helland.
ABSTRACT: Pianist Liz Story is a classically trained composer in the American folk tradition <a la Copland. (...) Her interest in improvisation was stimulated when she heard a performance by pianist Bill Evans, who suggested that she study with either Sandford Gold or Lennie Tristano.She picked the former, but she regrets not studying with Tristano, who taught pianists like Connie Crothers and Liz Gorill.
In: Down Beat, v. 55 (Oct) p. 14 por., (1988), p. 14 por

Joe Satriani / Bill Milkowski.
ABSTRACT: Joe Satriani has become the guitar hero for a new generation ofrock players, (...) as the lead guitarist in Mick Jagger's new band.(...).Satriani,who once studied with legendary bop pianist Lennie Tristano,is an intelligent guitar player with a rare range of depth and emotion.
In: Down Beat, v. 56 (May), (1989), p. 24-5 il por.

Jack Reilly / Pat Hawes.
ABSTRACT: The veteran pianist and former student of Lennie Tristano talks to Pat Hawes
In: Jazz journal international, Vol. 49, No. 9 (sep), (1996)

Peter Ind / Gordon Jack.
ABSTRACT: Peter Ind, one time Tristano disciple, former proprietor of the Bass Clef and, in the words of Lee Konitz, 'one of the great bass players' talked to Gordon Jack about New York in the fifties.
In: Jazz journal international, Vol. 49, no. 6 (jun), (1996)

Sideman: the autobiography of Billy Bauer as told to Thea Luba / Billy Bauer, Thea Luba. - Albertson,NY : William H. Bauer Inc., 1997. - 215, xxxiii,ii,vi p : ill ; 30 cm.
Discografia (p. i-xxxvii). Bibliografia.
ABSTRACT: Il racconto autobiografico di Billy Bauer, chitarrista nei complessi di Lennie Tristano, docente e stimato solista. Un libro deliziosamente artigianale e pieno di testimonianze preziose, foto inedite, riproduzioni di articoli d'epoca.