Bibliografiaritratto LT


All'interno di ciascuna categoria le notizie sono in ordine cronologico.


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Articoli apparsi su periodici

[Rubrica senza titolo] / Phil Featheringill
Fonte: Billard 88
In: Metronome, novembre, (1945)

What's right with the beboppers / Lennie Tristano
In: Metronome, luglio, (1947)

What's wrong with the beboppers / Lennie Tristano
In: Metronome, giugno, (1947)

Master in the making / Barry Ulanov.
In: Metronome, agosto, (1949)

The means of mastery / Barry Ulanov
In: Metronome, Settembre, (1949) Testo completo / Full text

The blindfold test: Tristano bows to Parker / Leonard Feather.
In: Down Beat, 18/5, (1951)

[Perche' non mi lasciano in pace?] / Lennie Tristano
Tit. orig. non conosciuto.
In: Down Beat, 3/12, (1952)

L'énigmatique Lennie Tristano / Felix Manskleid.
In: Jazz Hot, 101 (estate), (1955)

A proposito di una polemica / Alberto Mortara
In: Musica jazz, ottobre, (1956)

Multitaping isn't phony / Nat Hentoff
In: Down Beat, 16/5, (1956)

Tristano deviendra-t-il le Les Paul du jazz?
In: Jazz Magazine, 17 (maggio), (1956)

Lennie Tristano / H. Pekar.
In: Jazz Review, II/6, (1960)

Lennie Tristano / H. Pekar.
In: Jazz Monthly, VIII/4, (1962)

Lennie Tristano speaks out / [intervista di] Bill Coss
In: Down Beat, 6/12, (1962)

Tristano: the living myth / Ron Offen, George Demos
In: Literary Times, luglio/agosto, (1964)

I concerti in Italia di Bill Evans e Lennie Tristano / Franco Fayenz
In: Musica jazz, dicembre, (1965)

[Cronaca della 2. serata del Paris Jazz Festival. 1965]
In: Jazz Magazine, 125 (dicembre), (1965)

Lennie l'oublié / [intervista di] Gérald Merceron.
In: Jazz Hot, 214 (nov), (1965)

Lennie Tristano sort de l'ombre / [intervista di] Bruno Schiozzi.
In: Jazz Magazine, 128 (marzo), (1966)

Lennie Tristano talks to Gudrun Endress.
In: Jazz Monthly, febbraio, (1966)

Tristano dice ciò che pensa / Bruno Schiozzi
In: Musica jazz, Gennaio, (1966)

[Articolo senza titolo] / Victor Schonfield
In: Down Beat, 14/11, (1968)

[Intervista per la televisione francese] / Daniel Berger. 1973
Fonte: Billard 88
In: Jazz Hot, maggio, (1974)

Tristano et ses fils: l'archeologie d'un mythe / Jean Delmas.
In: Jazz Hot, 325 (mar), (1976)

Tristano et ses fils: l'émancipation / Jean Delmas.
In: Jazz Hot, 326 (apr), (1976)

Lennie Tristano / C. Sheridan.
In: Jazz-podium, 28/2, (1979)

Piano giants of jazz: Lennie Tristano / L. Feather.
In: Contemporary Keyboards, vi/1, (1980), 60

Lennie Tristano's 'Line up' : the essence of bebop from a neglected pioneer of jazz piano overdubbing / R. Beirach.
In: Keyboard, xi/7, (1985)

[Articolo senza titolo] / Marcello Piras
In: Musica jazz, ottobre, (1988)

Un viaggio nel blues: il "Requiem" per Parker / Riccardo Brazzale
In: Musica jazz, ottobre, (1988)

Tristanoitis / Francis Davis.
ABSTRACT: Jazz performer Lennie Tristano is profiled. Some hail Tristano as the father of free jazz; however, historical linkage is hard as Tristano recorded very little and accepted very few nightclub engagements.
In: Village Voice, v.36, n.23, (1991), p.51 : (jun 4) ; (31+ col inches) ; Photograph

La deploration comme esthetique de la mort dans le jazz / Xavier Daverat.
ABSTRACT: As an initial exploration of the aesthetics of death in jazz, works composed by jazz musicians on the death of a colleague are analyzed, including Larry Willis's Poor Eric, Booker Ervin's A day to mourn, Horace Parlan's Lament for Booker Ervin, Charles Mingus's Goodbye Pork Pie Hat, Benny Colson's I remember Clifford, Lennie Tristano's Requiem, and Herbie Hancock's Requiem. The pieces share, on the one hand, a very physical musical realization of expressions of pain--groans, gasps, and jerking motions--and on the other the presence of the beyond. The jazz funeral piece reveals the performer's familiarity with death. (Girard, Pauline)
In: Revue d'esthetique no. 19, 1991, p. 146-151. ISSN: 0035-2292.
Illus., French.

Watered-down bop destroying jazz / John S. Wilson.
Reprint of an interview that appeared in the October 6, 1950
ABSTRACT: Jazz pianist Lennie Tristano discusses the commercialization of bop and the detrimental effects he believes this development is having on jazz musicians and their audience.
In: Down Beat, v. 61 (Oct.), (1994), p. 34 ill. por.

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